Pio Amato, a 14 year-old member of a small Romani community in Calabria, is in a hurry to grow up. Pio follows his older brother Cosimo everywhere and from him he learns how to hustle and how to navigate the streets of his hometown. One night Pio sets out to prove to his brother that he is as good or better than him but, when things go wrong, a series of events will forever change the way he sees the world.
Based on the novel by Antonio Di Benedetto. Don Diego de Zama, a Spanish officer of the 17th century settled in Asunción, awaits his transfer to Buenos Aires.
Elio Perlman is spending the summer with his family at their vacation home in Lombardy, Italy. When his father hires a handsome doctoral student, the curious 17-year-old finds himself developing a growing attraction to the young man.
After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeirom where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.
JC (Alexander Polli) is a B.A.S.E. Jumper, a global playboy who lives his life quite literally on the edge, pursuing man’s greatest dream – to fly. When a jump goes wrong, that dream is violently shattered. Haunted by the event, JC is drawn to his best friend’s lover, ASH (Julie Dray), as he pushes himself harder than ever before – flying lower, closer, faster and recording every moment on film. Soon JC’s dark descent threatens not only his own life but the lives of all those around him. BASE follows a man over the edge and watches him fall.
After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple’s account over the day turns gradually into a peculiar form of violence.
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Junior is a preteen worm who struggles to be accepted by his peers, only to get bullied for being spoiled by his overprotective mother. One day, while in an attempt to impress his friends, he is accidentally brought up to the surface by a shovel, thus starting a journey with great adventures and very high stakes – not only for the little hero, but also to the entire worms society. To get back home and save his own kind, Junior must first learn the powers of self-respect, trust and true friendship.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Clara, a 65-year-old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Boa Viagem Avenue. All the neighboring apartments have already been acquired by a company which has other plans for that plot.
When a spaceship crashes to Earth and reveals a group of quirky little space aliens on the run for their lives, the “GadgetGang” kids-Gus, Phoebe, Francesco, Mitsue, Mary Ann, Banana and Tank-soon discover this won’t be the boring weekend they had expected. They soon learn that in a point far from the galaxy, an evil warlord named Gana Golber has seized control of the Confederation of Planets and now all of the planets are in danger-including Earth!
Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather’s funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake’s father, Brian, and Tony’s mother, Leonor, threatens to become contentious.
Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
A documentarian named Annie has roped her husband into a project that involves setting up cameras throughout their house. Complications arise when the cameras start showing that same couple in an alternate universe.
LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.
Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe. Sublime images, which alternate with a less idyllic reality: the hard work amidst the cows. Jointly they form a fabulous choreography, against the background of a rapidly changing society.
We Are Blood is a modern day skate epic featuring Paul Rodriguez and other top skateboarders as they travel the globe pushing the limits of what’s possible on a board and four wheels while celebrating the unconditional bond created by the simple act of skateboarding. Shot on location in Brazil, China, Dubai, and the United States.
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing.
New England in the 1630s: William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness. When their newborn son vanishes and crops fail, the family turns on one another. Beyond their worst fears, a supernatural evil lurks in the nearby wood.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever changing humanity. He has witnessed the major events of our recent history ; international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes : a huge photographic project which is a tribute to the planet’s beauty. Sebastião’s Salgado’s life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
As a privileged teenager living in an affluent suburb of Rio de Janeiro, Jean has little to worry about beyond games, grades and girls. But as his overbearing father drags the family into debt, Jean is forced into a change of lifestyle which opens his eyes to the world beyond his ‘casa grande’ – not least that of the feisty, mixed-race firecracker Luiza. Cultures, classes and generations collide in this engrossing coming-of-age drama from Brazil.
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.